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・ Norman J. Rees
・ Norman J. Ryan
・ Norman J. Warren
・ Norman Jackson
・ Norman Jackson (baseball)
・ Norman Jacob
・ Norman Jacobsen
・ Norman Jaffe
・ Norman James
・ Norman James (broadcaster)
・ Norman James (footballer)
・ Norman Jaques
・ Norman Graham
・ Norman Grant
・ Norman Grant (politician)
Norman Granz
・ Norman Gray
・ Norman Green
・ Norman Greenbaum
・ Norman Greenfield
・ Norman Greenhalgh
・ Norman Greenwood
・ Norman Gregg
・ Norman Grimes
・ Norman Grimshaw
・ Norman Grosvenor
・ Norman Grubb
・ Norman Guest
・ Norman Gunewardene
・ Norman Gunston


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Norman Granz : ウィキペディア英語版
Norman Granz

Norman Granz (August 6, 1918 – November 22, 2001) was an American jazz music impresario.
Granz was a fundamental figure in American jazz, especially from about 1947 to 1960. He was the founder of five record labels: Clef, Norgran, Down Home, Verve and Pablo. Granz was acknowledged as "the most successful impresario in the history of jazz."〔("Norman Granz" (obituary) ), ''The Telegraph'', November 26, 2001.〕 Granz is also known for his anti-racist position and for integrating audiences.〔Michael Freedland, ("Norman Granz: Verve record label founder who gave jazz respectability and integrated audiences" ), ''The Guardian'', November 26, 2001.〕
==Life and career==
Born in Los Angeles, the son of Jewish immigrants from Tiraspol, he first emerged into the public view when he organised desegregated jam sessions at the Trouville Club in Los Angeles, which he later expanded when he staged a memorable concert at the Philharmonic Auditorium in Los Angeles on Sunday, July 2, 1944, under the heading of "Jazz at the Philharmonic".〔(Obituary Norman Granz ), ''The Independent'', November 25, 2001. Retrieved November 20, 2008.〕
The title of the concert, "A Jazz Concert at the Philharmonic Auditorium", had been shortened by the printer of the advertising supplements to "Jazz at the Philharmonic". Only one copy of the very first concert program is known to exist. Norman Granz had organised the first Jazz at the Philharmonic concert with about $300 of borrowed money.
Later known as JATP, the ever-changing group recorded and toured extensively, with Granz producing some of the first live jam session recordings to be distributed to a wide market.
After several JATP concerts in Los Angeles in 1944 and 1945, Granz began producing JATP concert tours, from late fall of 1945 to 1957 in USA and Canada, and from 1952 in Europe. They featured swing and bop musicians and were among the first high-profile performances to feature racially integrated bands. Granz actually cancelled some bookings rather than have the musicians perform for segregated audiences. He recorded many of the JATP concerts, and from 1945 to 1947 sold/leased the recordings to Asch/Disc/Stinson Records (record producer Moses Asch's labels).
in 1948 Granz signed an agreement with Mercury Records for the promotion and the distribution of the JATP recordings and other recordings. After the agreement expired in 1953 he issued the JATP recordings and other recordings on Clef Records (founded 1946) and Norgran Records (founded 1953). Down Home Records was intended for traditional jazz works. Jazz at the Philharmonic ceased touring the United States and Canada, after the JATP concerts in the fall of 1957, apart from a North American Tour in 1967.

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